Neue
Haas
Grotesk
44 styles · Display · Display Round · Text · Text Round · Grotesque Sans
A grotesque sans-serif in the Swiss tradition: neutral, even-toned, and engineered for clarity at every size. The family splits into Display cuts, with tight spacing and refined detail for headlines, and Text cuts, opened up for reading at small sizes. Each has a softened Round companion.
Display
Form follows function
Neutral by design, 1957
Display 15 · XXThin
The quick brown fox jumps over the lazy dog
Display 16 · XXThin Italic
The quick brown fox jumps over the lazy dog
Display 25 · XThin
The quick brown fox jumps over the lazy dog
Display 26 · XThin Italic
The quick brown fox jumps over the lazy dog
Display 35 · Thin
The quick brown fox jumps over the lazy dog
Display 36 · Thin Italic
The quick brown fox jumps over the lazy dog
Display 45 · Light
The quick brown fox jumps over the lazy dog
Display 46 · Light Italic
The quick brown fox jumps over the lazy dog
Display 55 · Roman
The quick brown fox jumps over the lazy dog
Display 56 · Italic
The quick brown fox jumps over the lazy dog
Display 65 · Medium
The quick brown fox jumps over the lazy dog
Display 66 · Medium Italic
The quick brown fox jumps over the lazy dog
Display 75 · Bold
The quick brown fox jumps over the lazy dog
Display 76 · Bold Italic
The quick brown fox jumps over the lazy dog
Display 95 · Black
The quick brown fox jumps over the lazy dog
Display 96 · Black Italic
The quick brown fox jumps over the lazy dog
Display Round
Form follows function
Neutral by design, 1957
Display Round 15 · XXThin
The quick brown fox jumps over the lazy dog
Display Round 16 · XXThin Italic
The quick brown fox jumps over the lazy dog
Display Round 25 · XThin
The quick brown fox jumps over the lazy dog
Display Round 26 · XThin Italic
The quick brown fox jumps over the lazy dog
Display Round 35 · Thin
The quick brown fox jumps over the lazy dog
Display Round 36 · Thin Italic
The quick brown fox jumps over the lazy dog
Display Round 45 · Light
The quick brown fox jumps over the lazy dog
Display Round 46 · Light Italic
The quick brown fox jumps over the lazy dog
Display Round 55 · Roman
The quick brown fox jumps over the lazy dog
Display Round 56 · Italic
The quick brown fox jumps over the lazy dog
Display Round 65 · Medium
The quick brown fox jumps over the lazy dog
Display Round 66 · Medium Italic
The quick brown fox jumps over the lazy dog
Display Round 75 · Bold
The quick brown fox jumps over the lazy dog
Display Round 76 · Bold Italic
The quick brown fox jumps over the lazy dog
Display Round 95 · Black
The quick brown fox jumps over the lazy dog
Display Round 96 · Black Italic
The quick brown fox jumps over the lazy dog
Text
Form follows function
Neutral by design, 1957
Text 55 · Roman
The quick brown fox jumps over the lazy dog
Text 56 · Italic
The quick brown fox jumps over the lazy dog
Text 65 · Medium
The quick brown fox jumps over the lazy dog
Text 66 · Medium Italic
The quick brown fox jumps over the lazy dog
Text 75 · Bold
The quick brown fox jumps over the lazy dog
Text 76 · Bold Italic
The quick brown fox jumps over the lazy dog
Text Round
Form follows function
Neutral by design, 1957
Text Round 55 · Roman
The quick brown fox jumps over the lazy dog
Text Round 56 · Italic
The quick brown fox jumps over the lazy dog
Text Round 65 · Medium
The quick brown fox jumps over the lazy dog
Text Round 66 · Medium Italic
The quick brown fox jumps over the lazy dog
Text Round 75 · Bold
The quick brown fox jumps over the lazy dog
Text Round 76 · Bold Italic
The quick brown fox jumps over the lazy dog
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
0123456789 &@#$£€%?!*()
Roman · 9.5/15
Typography is the craft of endowing human language with a durable visual form. Neue Haas Grotesk was drawn by Christian Schwartz as a faithful revival of the 1957 original by Max Miedinger and Eduard Hoffmann, restoring the proportions and detail that were lost as the design spread across the world under another name.
Typography is the craft of endowing human language with a durable visual form. Neue Haas Grotesk was drawn by Christian Schwartz as a faithful revival of the 1957 original by Max Miedinger and Eduard Hoffmann, restoring the proportions and detail that were lost as the design spread across the world under another name.
Italic · 9.5/15
Typography is the craft of endowing human language with a durable visual form. Neue Haas Grotesk was drawn by Christian Schwartz as a faithful revival of the 1957 original by Max Miedinger and Eduard Hoffmann, restoring the proportions and detail that were lost as the design spread across the world under another name.
Typography is the craft of endowing human language with a durable visual form. Neue Haas Grotesk was drawn by Christian Schwartz as a faithful revival of the 1957 original by Max Miedinger and Eduard Hoffmann, restoring the proportions and detail that were lost as the design spread across the world under another name.
Medium · 9.5/15
Typography is the craft of endowing human language with a durable visual form. Neue Haas Grotesk was drawn by Christian Schwartz as a faithful revival of the 1957 original by Max Miedinger and Eduard Hoffmann, restoring the proportions and detail that were lost as the design spread across the world under another name.
Bold · 9.5/15
Typography is the craft of endowing human language with a durable visual form. Neue Haas Grotesk was drawn by Christian Schwartz as a faithful revival of the 1957 original by Max Miedinger and Eduard Hoffmann, restoring the proportions and detail that were lost as the design spread across the world under another name.
Trial fonts.
These are trial weights of Neue Haas Grotesk, licensed for personal use only. A full licence is required for any commercial or production work.
Specimen generated 5 June 2026 · 44 styles across four cuts.